Environment Four Final Photos – Evaluation

Written Evaluation

Berwick Street Market, Soho

At the start of the Environment unit, I planned to focus a project around everyday people within their everyday environment; I also wanted to capture a sense of ‘Englishness’ within my upcoming work. With this in mind, I deciding to look into Simon Roberts’ work who focuses mainly on the relationship between people and their local areas. His England focused project ‘We English’ focuses on the English people’s connection to their homeland, linked with themes of belonging, identity and the notion of what it is like to be English. After researching ‘We English’, I was inspired to think more about how I could represent my local environment within my photographs, first thinking about using Rochester as a location. I then decided to investigate how I could use an exaggerated version of Roberts’ use of perspective, which led me to conduct a series of test shoots from a height which allowed me to look down onto people walking by. I found the work of Mark Power during a contextual studies lecture. His worked reminded me of Roberts’ and I liked how it had a more negative look on how people effect their local environment. I then looked into the work on American photographer Joe Deal who also focused on how human life effects nature and landscapes. Deal also used a higher perspective in his work which I found intriguing. I found the work of Andre Kertesz a few years ago and have always remembered one of his photographs which was shot from the Eiffel tower, shooting downwards, which caused me to look deeper into his work and specifically on the photos which he took from higher perspectives. His work have me the idea to shoot more street focused images and also with a classic black and white look. I found my favourite images from high perspective was achieved by shooting photos from on top of shop stores and rooftop carparks. I decided to shoot some images in Trafalgar Square next to the lion sculptures as I wanted somewhere where I could get a large amount of people within each frame. While shooting in Trafalgar Square, I decided to shoot some street photos while walking back to Oxford circus to get the Tube. Not thinking much about them until the reviewing the street photos, I was really intrigued with the outcome of the photos and wanted to pursue the avenue of street photography. While deciding on themes I wanted to look into, I found it interesting how at the start of the unit, I was taking street photos of people from a far and then gradually through the weeks I ended up shooting much closer to my subjects, as if going through the weeks I gained more confidence taking photos on the streets. I decided to look into the work of Matt Stuart and Ronya Galka who both focus on London, although Stuart uses colour and Galka uses black and white. Matt Stuart’s work was the most inspiring of the two as I found that there seemed to often be an interesting story behind his work (as found in interviews with him) and I also liked his use of humour within his shots. While researching London street photography, I was approached by a Soho based hairdressers who wanted a series of images based on Soho for their store on Wardour street. While shooting these images, I found Soho to be an amazing place for street photography as it has such a varied amount of people, from businessmen to drag queens, which I knew I wanted to focus on for my final four images.

My final four images for the Environment unit focus on Berwick Street market in Soho, London. Berwick Street market is a traditional food market in the heart of Soho. Made up of around thirty stalls, traders have been selling goods in the exact same spot since the eighteenth century. Although still selling fruit and vegetables, the market has had a revamp since its beginning, it now sells food from around the world, such as Egyptian pittas, Jamaican jerk chicken and Korean stir-fry. While shooting in Soho, I felt a great sense of community within the market and I also appreciated how just a five-minute walk from Oxford Street, there was still a ‘traditional English’ feeling to the city. Berwick Street Market is a food hub for local residents or workers and is also a place for people who come from completely different lifestyles to socialise while grabbing a meal for lunch. Anna Boyle of ‘So High Soho’ 9 Berwick St, describes the market as the ‘Closets you’ll get to time travelling’. While shooting at the location, I wanted to focus on the traders behind the stalls and also the customers in front of the stalls, portraying the connection between the two.

Test Shoot Five – Soho Street Photography

Test Shoots, Written Evaluation

After basing a test shoot in Trafalgar square and Oxford Circus, I wanted to shoot some images closer to the people within my past images from the environment unit. Up to this point, I was capturing people from a far at a high point of view, which intrigued me, but I wanted to be more engaged with the subjects in my photographs. While planning another shoot based in London, I was approached by ‘Fish Hairstyling’, a renowned salon on Wardour Street. Their ethos is celebrating everything Soho, which gave me the opportunity to shoot a series of street photographs for the environment project and also have my work exhibited in a renowned Soho store.

Deciding to shoot in Soho, I wanted to capture within the photographs the electric feeling which the district holds. Soho’s culture is diverse; it holds endless cultures and nationalities and always seems to have something interesting happening. The drastic juxtaposition from the classy Oxford Street to the quirky back streets which is home to underground nightclubs and sex shops. The range of people that occupy the area is diverse, including businessmen, musicians, celebrities, artists, and socialites. While focusing the images on the streets of Soho, I wanted the main subjects to be the people who really make the district famous.

While on the first test shoot in London, I found shooting on film to be limiting as you are restricted to 36 exposures (35mm) and I found that having to stick to one ISO setting was restricting my workflow while on the streets. I wanted to be able to shoot a burst of photos to never miss a moment, while mixing up ISO settings to get faster exposures, which made me choose to shoot with a Canon 5D MKIII as I could shoot hundreds of images and not have the drawback of constantly outing new film ion the camera. Due to having only exclusively shot with a 50mm prime lens in the past within my projects, I decided that I wanted to use this focal length in the Soho shoot. I find that with a 50mm lens, you have to get closer to the subject, often creating a more interesting reaction than if you were to just shoot images from further away with a zoom lens. 50mm prime lenses usually come in f/1.8 as its widest aperture, but as I was shooting on a cloudy autumn day, I decided that using a 50mm f/1.4 would be the best option and would give me the option of shooting in some lower light conditions. Although I didn’t shoot with the aperture set to f/1.4 as I wanted a larger depth of field, I did like having the option of the wide aperture just in case I needed it. For most of the images, I wanted a fast shutter speed but didn’t want to compromise having a wide aperture, resulting in choosing an aperture of f/8 at 1/125s. I chose to shoot at an ISO setting of around 400 or 800, which meant I could get fairly fast shutter speeds with a limited amount of noise. To carry on with the black and white theme which was present ion my past photos from the project, I made all the Soho images b&w in Lightroom and increased the contrast to achieve a similar likeness to Ilford XP2 which I shot in the past shoots. Comparing the digital and film photos shot in the two test shoots, I felt they looked very similar in contrast so I though they still looked coherent as a series.

 The Soho shoot was definitely my most successful shoot out of the whole Environment project yet; I really like the results which I achieved, mostly by focusing on such an interesting location. The street / photojournalism style in the shoot definitely interests me and this is the route in which I want to take for the unit.

Test Shoot Four

Test Shoots, Written Evaluation

After researching into Andre Kertész’s street photography, I decided to shoot a series of photographs in the same style as his Paris work. To achieve a similar theme of how tourists interact with the inner-city environment, I decided to travel to Trafalgar Square as it’s a great place to capture a large amount of people in a relatively small area. I also thought that the lion structures which surround the, monument would be a good place to shoot photos as it would give me a higher perspective of the crowd. The beige ground is also very similar to the style in Paris, giving me a new connection to the Kertesz photographs. 

To carry on with the theme of black and white images, I decided to shoot a roll of Ilford XP2 35mm as it has a good amount of contrast, as well as grain. Shooting on 35mm, rather than 120 or large format, which meant I could get 36 exposures out of one roll, and have a light set up which I could move around comfortably if needed. I also scanned the negatives in TIFF files, at 3200 dpi which meant I could get a large resolution and can edit the scans without exaggerating the grain or blow out the highlights. XP2 also is renowned for creating a very detailed photos and also having a wide dynamic range. I shot all the images on 28mm and 50mm prime lenses as I wanted wide frames to capture large amounts of people and the nature of wide-angle lenses means much more is in focus.

After developing and scanning the film, I was impressed with the results from the day, mostly with the contrast which were present in most of the images. While on the editing process, I decided to crop most of the images as I didn’t want any negative space within the frame. I increased the blacks within some of the scans as I wanted a stronger contrast between the shadows and the highlights, creating a similar 20thcentury street photography sense to the images.

After shooting some photos in Trafalgar Square, I decided to take some street photographs on Oxford street as there always seems to have interesting moments to capture. I decided to go with the theme of shooting photos from an unusual angle and shot a set of photos from waist level. This created a perspective which represented the subjects in a heroic light, epically in the two photos which focus on the old couple. I’m really impressed with the street photos which I captured as I believe they really capture the individual people which make up the dynamic London culture. I plan to carry on with shooting similar style of street photographs as I want to continue looking into the interesting locals and tourists within the urban landscape.

Test Shoot Three – André Kertész Inspired, CCTV Theme

Test Shoots, Written Evaluation

After researching Andre Kertész’s work, I decided to plan a test shoot based on the theme of focusing downwards in the camera onto people. I researched into places which I would be able to shoot from and also has enough people to make an interesting scene. I decided that the best places would be bridges over roads, on top of buildings along high streets, rooftop carparks and the top level of double decker buses. I chose to plan my shoot above high street shops and other buildings as It would be the best location to captured as many people as possible throughout the day. After gathering information from online and other students, I decided to stand above a supermarket and rooftop carpark on Maidstone highstreet as I’m very familiar with the town and knew which times of the day would be busiest, and best for shooting in. I got on top of the buildings around 11am, set up my camera and then prepared for the lunchtime rush within the high street which occurred from 12pm to 1pm.

After deciding on a location, I started to plan on what gear I would be using for the shoot. Being influenced by Kertész’s early 20th century photographs, I decided that I wanted to shoot on black and white film to achieve a similar effect within my own photos. I wanted my images to have strong contrast and prominent grain, which led me to choosing Kodak Tri-X 400 35mm film, as I have shot the film before and was confident in getting the photos I wanted. To increase the contrast and grain in the scenes without the use of post editing, I pushed the original ISO of Tri-X from 400 to 1600 and developed the pushed iso accordingly. Tri-X is usually left in the developer for 6 ½ minutes but as I pushed the film two stops, I developed the roll at 9 minutes, with 30 seconds in stop, and then 5 minutes in fix bath. After choosing film, I decided to choose a 50mm f/1.4 prime lens as it is very versatile and is wide enough to capture the whole street, but not too wide like a 35mm or 28mm lens.

After developing the roll, I was really impressed with the effects of the push development and the scenes which were captured. I thought the high contrast and grain added a great deal of depth to the photographs. Whilst standing on top of the high street store, the angle which was captured created a similar effect as seen in Kertész’s photographs and in some of the images the people within the frame noticed I was taking a photo of them and gave me uninterested reactions.

During the shoot and after scanning the roll, I considered how the people within my photographs would have felt from me including them in my work, which made me consider the idea of the public always being watched by businesses and the government via the use of CCTV cameras. The store which I was shooting my roll from had two security cameras which were positioned at the same height as my camera, which made me start to think about how I can refer to the CCTV society which we live in today through my Environment images.

Test Shoot Two – Focus on Height/ Perspective

Test Shoots, Written Evaluation
Caravan One
Caravan two
Caravan three
Rochester Aerial View One
Rochester Aerial View Two
Rochester Aerial View Three

After researching into Simon Roberts’ work, I decided to try and shoot candid environmental photographs like this. One of the main photos from ‘We English’ features a caravan park landscape at dusk; I particularly liked the white blocks of mobile homes, juxtaposed with the scenic sun setting over the camp. With this image in mind and a location which had caravans positioned in, I decided to shoot a series of images with a Canon 5D MKIII, shooting mostly with a small aperture to get as much of the frame sharp. To get a perspective as seen in ‘We English’ I decided to shoot on the highest point of the field so the tops of the motorhomes were in clear view. After selecting my three shots from the shoot, I was really pleased within the composition and colour saturation from each of the caravans, as well as the grass acting as a barrier between each of them.

After shooting the images of the caravans, I decided to to see how far I can change/exaggerate the perspective with height and I chose to find the tallest accessible building in Rochester to shoot some aerial shots. I decided go at the top of Rochester Castle as it had best views of the city. With a zoom lens and using the stone wall as a makeshift tripod, I zoomed into a small section of the view from the castle which gave me a drone like perspective. My favourite shot from this series is ‘Rochester Aerial View Three’ as the road carries your focus from the bottom left of the frame to the top right – showing you all the small details in the image. I also like how simple the colour palette is in the image – green (from the land), light grey (the road which separates the green) and hints of brown within the green (from the buildings).